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Free for Commercial Use

Serif Other Viku 5 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Chamelton' by Alex Khoroshok, 'Muller' by Fontfabric, 'Evolved' by Hemphill Type, 'Lintel' by The Northern Block, and 'DINosaur Sharp' by Type-Ø-Tones (names referenced only for comparison).

Keywords: posters, headlines, packaging, signage, book covers, retro, playful, hearty, storybook, poster-like, display impact, retro flavor, decorative warmth, brand personality, chunky, rounded, bracketed, flared, bulbous.


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A very heavy serif with rounded, swollen strokes and softly bracketed serifs that often flare into wedge-like terminals. Counters are compact and the joins are smooth, giving the letters a carved, slightly blobby silhouette rather than a crisp geometric one. Capitals are broad and steady, while lowercase forms show pronounced, decorative shaping—especially in the a, g, s, and y—creating a lively rhythm with noticeable ink-trap-like notches and scooped curves. Numerals are equally stout and simplified, matching the face’s dense, high-impact texture in display settings.

This font is best suited to posters, headlines, logos, and short expressive copy where its weight and stylized serifs can be appreciated. It can work well for packaging and signage that aims for a vintage or playful mood, and for book covers or titles that benefit from a bold, storybook-like voice.

The overall tone is warm and exuberant, with a nostalgic, mid-century display energy. Its chunky curves and emphatic serifs feel friendly and theatrical, suggesting a handmade or sign-painted sensibility rather than a formal book face. The font reads as bold and characterful, with a humorous, crowd-pleasing presence.

The design appears intended as a high-impact display serif that merges classic serif structure with exaggerated, rounded shaping for a distinctive, retro-leaning personality. Its goal is legibility at large sizes while delivering a memorable, decorative silhouette and a strong typographic footprint.

Spacing appears tuned for headline use, producing a dark, continuous typographic color when set in lines. The distinctive, sculpted terminals and occasional asymmetries add personality but also make the letterforms feel more decorative than neutral, especially at smaller sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸