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Sans Other Rerow 8 is a very bold, very narrow, monoline, upright, normal x-height font visually similar to 'EFCO Fairley' by Ephemera Fonts, 'Morgan Tower' by Feliciano, 'Leftheria' by Sea Types, and 'Bitcrusher' by Typodermic (names referenced only for comparison).

Keywords: posters, headlines, logotypes, packaging, signage, industrial, sci‑fi, mechanical, poster, urban, space saving, high impact, tech aesthetic, systemic uniformity, condensed, geometric, rectilinear, angular, stenciled feel.


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A tightly constructed condensed sans with heavy, uniform stroke weight and predominantly rectilinear geometry. Counters are narrow and often rectangular, with squared terminals and minimal curvature, giving the letterforms a tall, compressed silhouette. Diagonals appear sparingly and are treated as sharp wedges, while bowls and shoulders are simplified into faceted, near-architectural shapes. Spacing reads compact and rhythmic, producing dense vertical texture that stays consistent across uppercase, lowercase, and numerals.

Best used for display settings such as posters, headlines, short brand marks, packaging titles, and bold signage where its condensed mass can maximize impact in limited space. It also fits UI theming and entertainment graphics that benefit from a techno-industrial texture, especially when set with ample tracking and strong contrast against the background.

The overall tone is mechanical and forward-leaning, evoking industrial labeling, techno interfaces, and retro-futurist display typography. Its rigid structure and tight proportions create an assertive, no-nonsense voice suited to high-impact messaging.

The design appears intended to deliver a compact, high-density display voice built from simplified geometric components. Its squared terminals, narrow counters, and restrained curves suggest a deliberate emphasis on a fabricated, mechanical aesthetic optimized for bold, space-efficient typography.

Lowercase forms largely echo the uppercase construction, reinforcing a uniform, system-like feel. Several glyphs rely on small, slit-like apertures and enclosed rectangular counters, which heightens the engineered aesthetic but may require generous sizing for clear readability in longer text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸