Slab Contrasted Ihpy 13 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Gimbal Egyptian' by AVP, 'Intermedial Slab' by Blaze Type, 'CamingoSlab' by Jan Fromm, 'TheSerif' by LucasFonts, and 'Directa Serif' by Outras Fontes (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, sports, sporty, editorial, retro, confident, punchy, headline impact, dynamic emphasis, vintage flavor, print texture, slab serif, bracketed serifs, oblique slant, ink-trap feel, soft curves.
A heavy, right-slanted slab serif with compact proportions and sturdy, bracketed serifs that read clearly at display sizes. Strokes are broadly even with only mild modulation, and the joins and terminals show subtly scooped transitions that give an ink-trap-like, printed texture rather than a sharply machined look. Counters are moderately open and the overall drawing favors rounded bowls and firm verticals, producing a dense, energetic rhythm. Numerals and capitals feel robust and headline-oriented, while the lowercase keeps a pragmatic, readable structure under the slant.
Best suited to headlines, cover lines, posters, and branding where a strong, energetic voice is needed. It can also work for packaging and labels that benefit from a bold, vintage-leaning slab presence. For longer passages it will feel dense, but it can be effective for short editorial callouts and subheads where impact outweighs neutrality.
The tone is assertive and energetic, with a classic, slightly vintage flavor associated with sports headlines, posters, and strong editorial titling. Its slanted stance adds momentum and urgency, making text feel active and forward-driving without becoming overly flashy.
The design appears intended to deliver a forceful, fast-moving slab-serif look that combines traditional serif structure with a sporty, headline-ready slant. It prioritizes impact and texture, suggesting a display workhorse for energetic titles and emphatic messaging.
The silhouette stays consistent across the set, with sturdy serifs and chunky curves giving strong word shapes in short lines. The italic angle is pronounced enough to create motion, and the heavy weight produces high impact in large settings.