Sans Normal Indir 3 is a very bold, very wide, low contrast, upright, normal x-height font visually similar to 'Dexa Pro' by Artegra, 'Akzidenz-Grotesk Next' by Berthold, 'Muller Next' by Fontfabric, 'HD Colton' by HyperDeluxe, 'Radiate Sans' by Studio Sun, and 'Ansage' by Sudtipos (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, playful, chunky, friendly, retro, punchy, impact, approachability, display, retro feel, simplicity, rounded, soft, compact, blunt, heavy.
A heavy, rounded sans with broad proportions and tightly enclosed counters. Strokes are uniformly thick with minimal contrast, and many terminals are softly curved or bluntly sheared, giving shapes a carved, chunky feel. Curves are generously rounded (notably in C, G, O, and S), while diagonals in A, K, V, W, X, and Y stay sturdy and wide, preserving a solid, poster-like mass. Lowercase forms are simple and robust with single-storey a and g, a compact ear on r, and wide bowls on b, d, p, and q; numerals are similarly weighty and open, with a rounded 0 and sturdy, simplified 1–7.
Best suited to large-scale applications where its mass and rounded geometry can read clearly: headlines, posters, logo wordmarks, packaging, and short callouts. It works especially well for playful brands, bold promotional graphics, and retro-inspired layouts, while longer body text would benefit from generous sizing and leading.
The overall tone is bold and approachable, leaning toward playful retro signage and upbeat display typography. Its soft geometry and chunky rhythm feel friendly and informal rather than technical or refined, making it visually loud without appearing aggressive.
The design appears intended to deliver maximum visual impact with friendly, rounded shapes and simplified construction. Its sturdy diagonals, broad bowls, and compact counters suggest a display-first approach aimed at bold, approachable messaging rather than delicate typographic nuance.
The dense black shape and tight apertures can cause counters and joins to fill in at smaller sizes, especially in letters like a, e, s, and in the double-bowl 8. Spacing appears built for impact, with wide silhouettes and strong word-shape presence in headlines.