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Sans Superellipse Nyni 9 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Muller Next' by Fontfabric, 'Sharp Grotesk Latin' and 'Sharp Grotesk Paneuropean' by Monotype, 'Greater Neue' and 'Greater Neue Condensed' by NicolassFonts, and 'Sans Beam' by Stawix (names referenced only for comparison).

Keywords: headlines, posters, packaging, branding, signage, playful, chunky, friendly, retro, cartoon, impact, approachability, display branding, retro charm, legibility, soft corners, blobby, bulky, rounded terminals, compact counters.


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A heavy, chunky sans with rounded-rectangle construction and softly bulged curves. Strokes are consistently thick with minimal contrast, and corners are broadly eased rather than sharply squared, giving many forms a superelliptic, cushion-like silhouette. Counters are compact and often circular or teardrop-shaped, while joins and terminals stay blunt and substantial, producing a tight, high-impact texture in words. The overall rhythm is sturdy and slightly bouncy, with wide, simplified shapes that prioritize mass and clarity over fine detail.

This face is well suited to bold headlines, poster typography, and short promotional copy where a strong silhouette matters. It also works effectively on packaging, labels, and storefront-style signage where a friendly, high-contrast-from-background word shape helps with quick recognition. For best results, give it generous size and spacing so the tight counters don’t clog in dense settings.

The font reads as upbeat and approachable, with a distinctly playful, retro display flavor. Its oversized weight and soft geometry feel friendly and a bit humorous, making text appear energetic and attention-seeking rather than formal or technical.

The design appears intended to deliver maximum impact with soft-edged geometry, combining a stout, attention-grabbing weight with rounded-rectangle forms that keep the tone approachable. It aims to be a characterful display sans that feels fun and accessible while remaining visually consistent across letters and figures.

The numerals and punctuation match the same bold, rounded logic, maintaining a cohesive “inflated” look across the set. In longer lines, the dense color and small counters create a strong headline presence but can feel visually compact at smaller sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸