Sans Faceted Ipfy 2 is a regular weight, normal width, monoline, upright, short x-height font.
Keywords: headlines, posters, logos, game ui, packaging, runic, geometric, tribal, futuristic, playful, rune-inspired, symbolic texture, display impact, thematic branding, angular, faceted, chiseled, pointed, hand-drawn.
A faceted, monoline sans with sharp planar joins and wedge-like terminals that replace most curves with angled strokes. Letterforms are built from straight segments and crisp corners, with occasional rounded outer corners where strokes meet, giving a slightly softened, marker-like edge while staying distinctly angular. Proportions are compact, with small counters and simplified structures; diagonals and asymmetric cuts create a lively, irregular rhythm across the alphabet. Numerals and punctuation follow the same chiseled geometry, maintaining consistent stroke thickness and a cohesive, carved-sign silhouette.
Best suited to display settings where the faceted silhouette can be appreciated—titles, posters, logo marks, game or fantasy-themed interfaces, and packaging that wants a symbolic or carved aesthetic. It can work for short bursts of text, but the sharp geometry and compact counters are most effective at larger sizes.
The overall tone feels cryptic and rune-adjacent, balancing an ancient, carved-symbol flavor with a modern geometric edge. Its angular construction reads adventurous and slightly mysterious, while the simplified shapes and bouncy spacing keep it approachable rather than severe.
The design appears intended to evoke a carved or inscribed look using a consistent monoline stroke, translating rune-like geometry into a readable Latin alphabet. Its repeated angular motifs and simplified forms suggest a focus on distinctive texture and thematic branding rather than unobtrusive body text.
Several glyphs lean on triangular bowls and diamond-like counters, creating a strong motif that repeats across both uppercase and lowercase. The texture in text is lively and slightly uneven, emphasizing personality over strict typographic neutrality.