Sans Superellipse Mida 8 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Bananku' by Umka Type (names referenced only for comparison).
Keywords: headlines, logos, posters, ui labels, packaging, futuristic, tech, playful, modular, retro, impact, modernize, systematic, brandability, sci-fi feel, rounded, geometric, squared, soft, chunky.
A heavy, monoline geometric sans built from rounded-rectangle and superellipse forms. Corners are generously radiused and terminals are consistently softened, creating a “squared-round” silhouette throughout. Counters tend to be compact and rectangular, with minimal contrast and a steady rhythm that reads as engineered and modular. The lowercase is single-storey where applicable, with simple, blocky constructions; the digit set follows the same rounded-square logic for a cohesive, system-like feel.
Best suited to display settings where bold, geometric letterforms need to read quickly: headlines, logos, posters, product branding, and packaging. It also fits UI labels, dashboards, and wayfinding-style callouts where a modern, rounded-square aesthetic is desirable. For longer text, its compact counters and dense texture are more effective at larger sizes with comfortable spacing.
The overall tone is futuristic and tech-forward, with a friendly, game-like softness from the rounded corners. Its modular geometry suggests digital interfaces and industrial labeling, while the chunky shapes keep it approachable rather than clinical. The style also nods to retro sci‑fi and arcade aesthetics through its squared curves and uniform stroke behavior.
The design appears intended to deliver a cohesive rounded-square techno look with strong visual impact and consistent construction across letters and numerals. Its simplified geometry prioritizes recognizability and a modular, system-like rhythm appropriate for contemporary digital and industrial contexts.
Tight apertures and condensed internal spaces give the face strong presence, especially in capitals and numerals. Several forms lean toward stencil-like or segmented constructions (notably in characters with internal cut-ins), reinforcing a functional, display-oriented character. The round dot on i/j adds a small humanizing detail against the otherwise squared system.