Sans Normal Lamol 2 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Digital Sans' by Blaze Type, 'ITC Avant Garde Gothic' and 'ITC Avant Garde Gothic Paneuropean' by ITC, 'Gilroy' by Radomir Tinkov, 'Core Sans C' by S-Core, and 'Caros' and 'Caros Soft' by cretype (names referenced only for comparison).
Keywords: headlines, posters, branding, sports, packaging, sporty, energetic, modern, confident, punchy, impact, momentum, modernity, approachability, clarity, rounded, oblique, compact, blocky, high impact.
A heavy, oblique sans with rounded construction and smooth, continuous curves. Strokes stay broadly even, with generous counters in letters like O, C, and P, giving the design a clean, sturdy silhouette despite the strong slant. Terminals are predominantly blunt and slightly softened, and joins are firm and compact, producing a tight, muscular rhythm. Uppercase forms are broad and simplified, while lowercase maintains single‑storey a and g with circular bowls and straightforward apertures; figures are similarly bold and geometric, reading clearly at display sizes.
Best suited to headlines, posters, and brand marks where a bold, fast, contemporary voice is needed. It also works well for sports and lifestyle graphics, packaging callouts, and short promotional copy where the slanted emphasis can add energy and directional movement.
The overall tone is assertive and kinetic, combining a contemporary, athletic feel with a friendly roundness. The pronounced slant adds motion and urgency, while the thick strokes communicate confidence and impact.
The font appears designed to deliver maximum visual impact with a modern, rounded geometry and an emphatic oblique stance. Its simplified shapes and sturdy proportions suggest an intention to remain clear and forceful in display typography while keeping a friendly, accessible character.
The design’s strong rightward lean and compact internal spacing create a forward-driving texture in lines of text, especially in all-caps settings. Curves stay smooth rather than angular, which keeps the weight from feeling harsh and helps the letterforms remain approachable.