Sans Other Obfy 2 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'AZN Knuckles Varsity' by AthayaDZN, 'Magnitudes' by DuoType, 'Block' by Stefan Stoychev, 'Bulltoad' by Typodermic, and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: headlines, posters, packaging, signage, logos, industrial, poster, retro, sturdy, assertive, impact, ruggedness, branding, display, blocky, angular, squared, condensed caps, cut-in corners.
A heavy, block-built sans with squared contours and sharp, chamfer-like notches that create a subtly faceted silhouette. Strokes are consistently thick with minimal modulation, and counters are generally rectangular, giving letters a stamped, mechanical look. Terminals are flat and abrupt, and several joins show deliberate cut-ins that add texture without introducing true serifs. Uppercase forms read compact and commanding, while the lowercase maintains the same rigid geometry, producing a dense, dark typographic color in text.
Best suited to short, high-impact settings such as headlines, posters, title cards, labels, and brand marks where its mass and angular detailing can be appreciated. It can work in larger display text and signage, but the dense weight and tight rectangular counters may feel heavy in long passages at smaller sizes.
The overall tone is forceful and utilitarian, with a retro-industrial flavor that feels suited to bold statements. Its chiseled details suggest machinery, signage, and rugged product labeling rather than refinement or softness.
The font appears designed to deliver maximum visual presence with a rugged, geometric construction, using notched corners and boxy counters to add character while keeping a straightforward sans structure. It prioritizes impact, readability at display sizes, and a distinct industrial voice over neutrality.
Spacing appears tight-to-moderate with strong interior shapes; the small rectangular counters in letters like B, O, and P emphasize a punched-out, stencil-adjacent impression. The design favors straight edges and right angles, so curved letters read as squarish approximations, reinforcing the engineered aesthetic.