Sans Other Syvy 1 is a very light, wide, monoline, upright, normal x-height font.
Keywords: headlines, posters, logos, tech branding, game ui, futuristic, tech, modular, minimal, architectural, sci‑fi tone, systematic look, geometric reduction, display impact, geometric, angular, square, linear, outlined.
A geometric, monoline display sans built from straight strokes and right angles, with a distinctly squared, modular construction. Curves are largely avoided in favor of rectangular counters and open, segmented forms, creating a schematic, wireframe feel. Stroke endings are clean and unadorned, with frequent use of breaks and simplified joins that keep the silhouettes airy while emphasizing grid-like alignment. The lowercase echoes the uppercase’s geometry, with single-storey, boxy structures and tight internal spacing that reads as deliberately constructed rather than written.
Best suited for short, large-size settings where its modular construction becomes a stylistic asset—headlines, posters, title cards, album/track art, and tech-forward branding. It can also work for interface labels in games or experimental UI when used with generous size and spacing to maintain legibility.
The overall tone is futuristic and technical, evoking digital interfaces, circuit diagrams, and architectural drafting. Its minimal outlines and squared rhythm feel precise and engineered, with a cool, sci‑fi sensibility that prioritizes concept and texture over conventional warmth.
The design appears intended to translate a strict grid and outline logic into an alphabet that feels engineered and contemporary. By minimizing curves and using open, segmented strokes, it aims to deliver a distinctive sci‑fi/technical voice for display typography rather than traditional long-form reading.
Several glyphs rely on open sides or partial strokes (especially in rounded letters rendered as squared outlines), which creates a distinctive texture in text but can reduce clarity at smaller sizes. The numerals follow the same rectilinear logic, reinforcing the font’s system-like consistency across alphanumerics.