Sans Other Sywi 15 is a very light, very wide, monoline, upright, tall x-height font.
Keywords: sci-fi ui, tech branding, posters, headlines, packaging, futuristic, technical, schematic, minimal, systematic design, interface styling, geometric experimentation, display impact, geometric, angular, octagonal, wireframe, architectural.
This typeface is built from thin, uniform strokes with a sharply geometric, constructed logic. Forms rely on straight segments, open corners, and frequent octagonal chamfers that turn bowls and rounds into faceted shapes. Many glyphs use deliberate breaks—especially at curves and joins—creating a modular, drawn-with-a-plotter feel, while counters stay airy and mostly open. The lowercase maintains a high x-height with simplified, single-storey structures; overall spacing reads slightly loose due to the light stroke and open joins, and widths vary noticeably between characters.
Best suited to display settings where its constructed geometry can be appreciated: sci‑fi or tech interface graphics, futuristic branding, posters, titles, and packaging accents. It can work for short paragraphs at larger sizes, but its open joins and wireframe thinness suggest using generous size and line spacing for comfortable reading.
The overall tone feels futuristic and technical, like labeling from industrial design, circuitry diagrams, or sci‑fi interfaces. Its skeletal construction and angular faceting give it a precise, engineered personality rather than a warm or handwritten one.
The design intention appears to be a modular, engineered sans that prioritizes a faceted, diagrammatic aesthetic. By reducing curves to chamfered corners and introducing purposeful breaks, it aims for a synthetic, forward-looking voice that stands apart from conventional geometric sans styles.
Several capitals incorporate distinctive structural gestures—faceted bowls, squared-off terminals, and occasional inset strokes—so the alphabet reads more like a designed system than conventional sans letterforms. In text, the open joins and minimal stroke weight emphasize rhythm and negative space, favoring display clarity over traditional continuous outlines.