Sans Normal Ebdas 21 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Syabil' by Eko Bimantara, 'Epoca Pro' and 'Qubo' by Hoftype, 'Core Sans N SC' and 'Core Sans NR' by S-Core, 'Kobern' by The Northern Block, and 'Scatio' by Wahyu and Sani Co. (names referenced only for comparison).
Keywords: ui text, product design, presentations, signage, editorial, clean, modern, technical, efficient, neutral, modernization, clarity, neutrality, emphasis, oblique, geometric, open counters, rounded terminals, crisp.
This is an oblique sans with a clean, geometric skeleton and smooth, rounded curves. Strokes are monolinear with minimal contrast, producing even color and a consistent rhythm across text. Counters are open and fairly circular (notably in C, O, Q, and e), while joins stay crisp and uncomplicated, keeping the texture uncluttered. The italic angle is steady and readable, and the numerals follow the same straightforward, open construction for clear alignment in running text.
It suits interfaces, dashboards, and product typography where a crisp oblique emphasis is needed without sacrificing clarity. The even stroke weight and open shapes also work well for presentation graphics, wayfinding, and general editorial settings where a modern sans tone is appropriate.
The overall tone is modern and pragmatic, with a streamlined, contemporary feel. Its oblique slant adds momentum without becoming expressive or calligraphic, giving it a quietly energetic, professional voice. The neutral geometry suggests clarity and efficiency rather than personality-driven styling.
The design appears intended as a versatile oblique companion for contemporary sans typography, prioritizing consistent texture, straightforward construction, and dependable legibility. Its geometry and restrained detailing suggest it is meant to integrate smoothly into modern design systems and information-forward layouts.
The letterforms favor simple, legible shapes with generous apertures and minimal detailing, which helps maintain clarity at smaller sizes. Uppercase proportions feel balanced and restrained, while lowercase shapes keep a steady cadence suitable for continuous reading.