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Free for Commercial Use

Sans Normal Lirod 5 is a very bold, normal width, monoline, italic, normal x-height font visually similar to 'Kind Sans' by Gravitype, 'Menca' and 'Menco' by Kvant, 'Informative' by Latinotype, 'Bergen Text' by Mindburger Studio, and 'Causten' and 'Causten Round' by Trustha (names referenced only for comparison).

Keywords: headlines, posters, branding, sports, packaging, sporty, energetic, bold, friendly, modern, impact, momentum, modernity, approachability, display clarity, rounded, oblique, compact, chunky, punchy.


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A heavy, oblique sans with rounded geometry and thick, even-looking strokes. Curves are generously inflated (notably in O/C/G and the bowls of B/P/R), while terminals tend to be clean and slightly angled, reinforcing a forward-leaning, kinetic rhythm. The lowercase is compact with sturdy shoulders and tight apertures, producing dense word shapes; counters remain open enough to stay readable at display sizes. Numerals follow the same robust, rounded construction with prominent bowls and a streamlined, slanted profile.

Best suited for headlines, posters, and branding where strong presence and quick recognition are priorities. It works well for sports and lifestyle identities, packaging, and promotional graphics that benefit from an energetic, forward-leaning voice. For longer passages, it will be most comfortable at larger sizes where the dense weight and compact forms can breathe.

The overall tone is confident and high-impact, with a friendly, contemporary softness from the rounded forms. The consistent forward slant adds motion and urgency, giving the face a sporty, headline-driven character rather than a quiet, text-first demeanor.

The font appears designed to deliver maximum impact with a modern, rounded sans language, combining softness in the curves with a purposeful slant for momentum. Its construction prioritizes bold silhouettes, consistent rhythm, and clear, simplified forms tailored to display typography.

The design leans on broad curves and simplified joins, minimizing sharp interior angles and keeping silhouettes smooth. Letterforms like a, g, and q use single-storey constructions that emphasize approachability and graphic clarity. Spacing in the sample text appears tight and cohesive, contributing to a compact, poster-ready texture.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸