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Free for Commercial Use

Sans Normal Abdem 13 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Glence' by Nine Font, 'Lyu Lin' by Stefan Stoychev, 'Santral' by Taner Ardali, 'Gogh' by Type Forward, 'Segment' by Typekiln, and 'Caros' by cretype (names referenced only for comparison).

Keywords: ui text, branding, headlines, signage, posters, modern, dynamic, clean, sporty, techy, forward motion, modern clarity, functional tone, geometric consistency, everyday legibility, geometric, oblique, rounded, monoline, open apertures.


Free for commercial use
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A slanted, geometric sans with smooth, monoline strokes and round counters. Curves are built from clean circular/elliptical geometry, while terminals are predominantly straight-cut, giving the forms a crisp, engineered finish. Spacing appears even and controlled, with clear letter separation and open apertures that keep shapes legible at text sizes. Numerals follow the same oblique rhythm, with simple, sturdy construction and consistent stroke behavior across the set.

Well-suited to interface typography, wayfinding, and corporate/tech branding where a clean, contemporary voice is needed. The oblique stance and geometric clarity also make it effective for short headlines, posters, and product messaging that benefits from a sense of speed and modernity.

The overall tone feels contemporary and energetic, with the oblique posture adding motion and forward drive. Its restrained, no-nonsense shapes read as efficient and modern rather than decorative, suggesting a functional, performance-oriented personality.

The font appears designed to deliver a modern geometric sans experience in an italicized, forward-leaning stance without sacrificing clarity. It prioritizes consistent construction and smooth curves for a neutral-but-energetic look that performs reliably in both display snippets and longer lines of text.

The design balances rounded bowls with firm, angled endings, creating a clear contrast between soft geometry and sharp directionality. The italic is not overly calligraphic; instead it maintains a constructed, geometric logic that stays consistent from uppercase to lowercase and figures.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸