Font Hero

Free for Commercial Use

Sans Normal Tyboh 2 is a very bold, normal width, high contrast, upright, normal x-height font visually similar to 'Epoca Classic' by Hoftype, 'Rotulo' by Huy!Fonts, 'Artigua' by Picador, 'Clear Gothic Serial' by SoftMaker, 'Newbery Sans Pro' by Sudtipos, 'Indecise' by Tipo Pèpel, and 'TS Clear Gothic' by TypeShop Collection (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, sports, confident, sporty, friendly, retro, punchy, impact, approachability, headline clarity, brand presence, rounded, compact, bulky, open counters, ink-trap hints.


Free for commercial use
Customize the font name

A very heavy, rounded sans with compact proportions and brisk, slightly squared-off curves. Strokes are thick and assertive with noticeable contrast in places (especially where curves meet stems), producing a carved, cut-in feel rather than a purely monoline look. Many joins and terminals are gently chamfered, and several letters show small notches or wedge-like transitions that read as subtle ink-trap-style detailing at tight corners. Counters are generally open and clean, while curves on letters like C, G, S, and the numerals stay broad and smooth, giving the overall texture a solid, even color on the page.

Best suited to headlines, logos, and short display copy where its dense weight and rounded construction can carry impact without losing clarity. It works well for branding and packaging that need a friendly but forceful voice, and it can also fit sports, campus, or event graphics where bold, compact letterforms are an advantage.

The font projects a bold, upbeat tone that feels contemporary but with a retro athletic flavor. Its rounded massing and compact rhythm come across as friendly and approachable, while the heavy weight and crisp corner handling add confidence and punch for attention-grabbing headlines.

The design appears intended as a high-impact display sans that balances soft, rounded geometry with sharp, engineered corner transitions. The goal seems to be strong shelf/scene presence with enough openness in the counters to keep short phrases legible at large and medium sizes.

Uppercase forms feel more geometric and poster-like, while the lowercase introduces a slightly more human rhythm (notably in a, e, and g), helping readability in short text. Numerals are similarly sturdy and high-impact, matching the letterforms closely for consistent typographic color in mixed alphanumeric settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸