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Sans Normal Jikuw 5 is a very bold, normal width, medium contrast, italic, normal x-height font visually similar to 'Epoca Classic' by Hoftype, 'ITC Stone Sans II' by ITC, 'Optima' by Linotype, 'Skeena' by Microsoft Corporation, 'Organic Pro' by Positype, 'Reba Samuels' by Samuelstype, and 'Le Monde Sans Std' by Typofonderie (names referenced only for comparison).

Keywords: headlines, sports branding, posters, packaging, logo concepts, sporty, assertive, dynamic, modern, energetic, impact, motion, emphasis, modernity, branding, oblique, compact, rounded, punchy, high-impact.


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This typeface is a heavy, right-leaning oblique sans with rounded, geometric construction and a smooth, continuous stroke feel. Curves are broad and full (notably in C, O, and S), while diagonals (A, K, V, W, X, Y) carry a strong forward slant that creates momentum. Terminals are clean and mostly blunt, with minimal flourish, and counters are relatively open for the weight, helping maintain legibility. Figures are bold and simple, with a round, stacked “8” and a compact “0,” and the overall rhythm reads as tight and performance-oriented.

Best suited to headlines, short calls-to-action, and display lines where strong emphasis and a sense of motion are desired. It can work well for sports and fitness branding, promotional posters, bold packaging typography, and energetic digital banners where the oblique stance helps convey speed and urgency.

The overall tone is fast, confident, and athletic, with a forward-leaning stance that suggests motion and competitiveness. Its bold massing and rounded geometry give it a contemporary, high-impact voice suited to attention-grabbing messaging rather than quiet text setting.

The design appears intended to deliver maximum impact with a streamlined, modern sans structure, pairing heavy weight with a consistent oblique slant for a dynamic, action-oriented presence. Its rounded geometry keeps the tone friendly enough for consumer contexts while staying emphatic and performance-led.

The italic angle is consistent across caps, lowercase, and numerals, and the letterforms keep a cohesive geometric logic across rounds and diagonals. Spacing in the sample text appears fairly tight for the weight, reinforcing a dense, headline-driven texture.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸