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Free for Commercial Use

Sans Normal Rekaf 16 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'FF Marselis' by FontFont, 'Between' by Monotype, and 'Adora Compact PRO' by preussTYPE (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, friendly, modern, confident, approachable, clean, approachability, impact, clarity, modernity, simplicity, rounded, soft corners, closed apertures, compact, sturdy.


Free for commercial use
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A heavy, rounded sans with compact proportions and smooth, softened corners throughout. Strokes are monolinear and dense, with largely closed apertures and generous internal counters that keep letters readable at display sizes. Curves are full and slightly squarish in places, giving bowls and terminals a sturdy, engineered feel rather than a geometric-perfect construction. The lowercase shows single-storey forms (notably a and g), short ascenders/descenders, and a consistent, even rhythm across words.

Best suited to headlines, posters, signage, and branding where a bold, friendly sans is needed. It can work for short UI labels or calls to action at larger sizes, but the dense color and compact fit suggest avoiding long-form text at small sizes. Its rounded construction also fits packaging and contemporary identity systems that want warmth without losing clarity.

The overall tone is friendly and contemporary, with a confident, poster-ready presence. Its rounded shapes soften the impact of the weight, making it feel approachable rather than aggressive. The texture reads solid and dependable, lending a casual, modern voice to headings and short statements.

The design appears intended to deliver a modern, approachable display sans that stays highly legible while projecting a sturdy, compact presence. Rounded details and simplified lowercase forms suggest an emphasis on friendliness and fast recognition in branding and headline settings.

In the sample text, spacing appears slightly tight and the dark color builds quickly, producing a strong typographic “block” that favors larger sizes. The numerals are robust and open, matching the letterforms in roundness and weight. Straight strokes and diagonals (such as in V, W, X, Y) feel stable and slightly compact, supporting a dense, cohesive word shape.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸