Sans Normal Olgem 8 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'DSari' by Latinotype, 'PF Adamant Sans Pro' by Parachute, 'Macha' by Positype, 'Quercus Sans' by Storm Type Foundry, and 'D Blues' by W Type Foundry (names referenced only for comparison).
Keywords: headlines, branding, posters, packaging, signage, friendly, approachable, modern, sturdy, playful, clarity, approachability, modern utility, brand friendliness, rounded, soft corners, geometric, compact, high legibility.
This typeface presents a rounded, geometric sans structure with heavy, even strokes and softened corners throughout. Curves are generous and near-circular, while straight strokes terminate with subtly rounded ends, creating a cohesive, smooth texture. Proportions feel compact with relatively large counters for the weight, and letterforms keep a clean, simplified construction (single-storey a and g, open apertures). The overall rhythm is steady and solid, with clear, unambiguous shapes in both uppercase and lowercase and sturdy, readable numerals.
It performs well for headlines and short blocks of copy where a friendly, modern presence is desired. The rounded, sturdy shapes also suit branding, packaging, and signage where legibility at a glance matters and the tone should feel approachable. In longer settings it maintains a consistent, even color, especially at medium-to-large sizes.
The font conveys a friendly, contemporary tone that feels sturdy rather than delicate. Its rounded geometry gives it an approachable, slightly playful voice, while the consistent construction keeps it practical and straightforward. Overall it reads as modern and welcoming, suitable for communication that aims to feel clear and human.
The design appears intended to combine geometric simplicity with softened, rounded detailing to balance clarity and warmth. It prioritizes clear silhouettes and stable rhythm, aiming for an accessible, contemporary look that remains robust across display and general-purpose applications.
Uppercase forms lean toward geometric clarity (notably round O/Q and broad curves in C/G), while diagonal letters like K, V, W, X, and Y have crisp joins that still retain softened terminals. The lowercase maintains a simple, utilitarian feel with open forms that help readability in continuous text, as shown in the sample paragraphs.