Sans Superellipse Abdag 2 is a regular weight, wide, low contrast, upright, tall x-height font visually similar to 'Celdum' by The Northern Block (names referenced only for comparison).
Keywords: ui labels, app design, signage, headlines, packaging, techy, futuristic, clean, confident, sporty, system feel, modernization, interface clarity, geometric unity, rounded corners, squared forms, modular, geometric, compact counters.
This typeface uses a geometric, rounded-rectangle construction with consistently softened corners and largely uniform stroke widths. Curves are minimized in favor of superelliptic bowls and squared apertures, giving letters a crisp, engineered silhouette. Vertical strokes are straight and sturdy, terminals are mostly blunt, and interior counters tend toward rounded squares, producing a tightly controlled rhythm in text. The lowercase shows a tall presence with compact, rectilinear forms, while numerals follow the same squared, rounded-corner logic for a coherent alphanumeric set.
It is well suited to user interface labels, dashboards, and product experiences where a contemporary, screen-native feel is desired. The controlled geometry also works effectively for headlines, branding systems, wayfinding, and packaging that aims for a modern technical or sporty impression.
The overall tone feels modern and technical, with a futuristic edge that suggests interfaces, devices, and engineered products. Its rounded corners temper the rigidity, keeping the voice friendly rather than harsh, while the blocky geometry still reads assertive and performance-oriented.
The design appears intended to translate a rounded-rectangular, device-inspired geometry into a readable sans for both display and short text. By keeping strokes uniform and corners consistently radiused, it prioritizes a cohesive, system-like aesthetic that remains approachable.
In longer lines, the uniform stroke and squarish counters create a steady, even color, with distinctive silhouettes for many letters (notably the rounded-square O/0 family and the angular diagonals). The design emphasizes clarity of form over calligraphic nuance, with consistent corner rounding acting as the unifying visual signature.