Sans Contrasted Tyhu 6 is a regular weight, normal width, high contrast, upright, normal x-height font visually similar to 'Epoca Classic' by Hoftype, 'Tabac Glam' by Suitcase Type Foundry, and 'Blacker Sans Pro' by Zetafonts (names referenced only for comparison).
Keywords: headlines, editorial, branding, posters, packaging, modern, confident, clean, crisp, contemporary voice, refined contrast, display clarity, brand presence, flared terminals, sheared cuts, calligraphic contrast, open apertures, geometric bowls.
A high-contrast sans with clean, sculpted strokes and subtly flared terminals that give many joins a tapered, chiseled finish. Curves are smooth and fairly geometric in their bowls (notably in C/O/Q), while straight strokes often end in angled, sheared cuts that add sharpness and rhythm. Uppercase proportions feel sturdy and display-leaning, with wide, open counters in letters like B, D, and R; lowercase is compact and orderly with clear differentiation between stems, bowls, and shoulders. Numerals are crisp and legible, mixing straight-sided forms with rounded bowls and maintaining consistent contrast across the set.
This font suits magazine-style headlines, pull quotes, and brand wordmarks where contrast and crisp terminals can add character without becoming ornate. It can also work well in posters and packaging, especially when set at larger sizes where the tapered endings and stroke modulation are most visible.
The overall tone is contemporary and editorial, balancing sophistication with a slightly dramatic stroke modulation. Its sharp terminals and controlled curves convey clarity and confidence, reading as polished rather than playful.
The design appears intended to deliver a modern, high-contrast sans voice that bridges neutral usability with a refined, display-friendly edge. Its controlled modulation and flared, angled terminals suggest a goal of adding typographic personality while retaining clean readability.
Spacing appears even and measured in the text sample, supporting dense settings without looking cramped. The angled stroke endings introduce a consistent directional energy that helps headlines feel intentional and designed, while still keeping the letterforms straightforward and uncluttered.