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Sans Normal Oskon 12 is a very bold, wide, medium contrast, upright, normal x-height font visually similar to 'Hando' by Eko Bimantara, 'Realgar' by Emtype Foundry, 'Neufile Grotesk' by Halbfett, 'Neue Faktum' by René Bieder, 'RF Dewi' by Russian Fonts, and 'Herokid' by W Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, branding, signage, packaging, confident, modern, friendly, punchy, sturdy, impact, clarity, modernity, approachability, utility, geometric, rounded, blocky, compact counters, high impact.


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This typeface has heavy, even strokes with clean, sans-serif construction and rounded, geometric curves. Letterforms feel broad and stable, with generous bowls and compact internal counters that stay open at display sizes. Terminals are mostly flat and crisp, while curves are smoothly drawn, giving a consistent, machined rhythm across the alphabet. Numerals and capitals read especially solid and poster-like, with a straightforward, upright stance and minimal optical quirks.

It performs best in headlines, large UI labels, and branding where high impact and quick recognition matter. The bold, rounded shapes also suit signage and packaging that need strong contrast against backgrounds. For longer passages, it’s most effective when used sparingly (e.g., subheads, callouts) to avoid overly dense text color.

The overall tone is assertive and contemporary, aiming for clarity and visual weight rather than delicacy. Its rounded geometry keeps it approachable, while the dense color and broad forms communicate confidence and emphasis. The texture in text feels bold and attention-grabbing, suitable for statements and short messaging.

The design appears intended as a bold, geometric sans for display-first typography—prioritizing strong presence, simple construction, and robust legibility at larger sizes. Its rounded forms and straightforward detailing suggest a goal of pairing modern neutrality with a friendly, accessible feel.

In paragraphs, the strong weight creates a dark, continuous typographic color, so spacing and line length will noticeably influence readability. The design’s simple geometry and uniform stroke behavior produce a consistent, no-nonsense look across mixed case and numerals.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸