Sans Superellipse Tikoz 3 is a bold, narrow, low contrast, upright, normal x-height font visually similar to 'FF Dax Compact' by FontFont, 'Gotham' by Hoefler & Co., 'Akwe Pro' by ROHH, and 'LFT Etica' by TypeTogether (names referenced only for comparison).
Keywords: posters, headlines, packaging, labels, merchandise, grunge, handmade, industrial, retro, utilitarian, distressed display, analog texture, compact impact, rugged tone, rough edges, inked, condensed, blocky, stamp-like.
A condensed, heavy sans with chunky strokes and visibly roughened contours, as if printed from a worn stamp or painted with a dry brush. The forms lean on rounded-rectangle construction, with softened corners and compact counters that stay open enough for display use. Stroke weight is largely even, but the outlines show intentional irregularity and slight wobble, creating a textured rhythm across words. Uppercase and lowercase share a sturdy, compact silhouette; figures are similarly stout and simplified for impact.
Best suited to short, high-impact text such as posters, headlines, cover art, packaging, and product labels where the distressed contour becomes a feature. It also fits merchandise graphics and branding accents that want an analog, stamped feel, especially when set with generous size and modest tracking.
The overall tone feels gritty and handmade, with a workshop/DIY character that reads as tough, practical, and slightly rebellious. Its worn texture adds a vintage, analog edge that suggests posters, labeling, or screen-printed apparel rather than polished corporate typography.
This design appears intended to deliver a compact, bold display voice with a deliberately imperfect, ink-worn surface. The rounded-rectangle skeleton keeps letterforms simple and readable while the distressed outline injects character and tactility.
Texture is consistent across glyphs, producing a believable distressed effect rather than random noise. Spacing appears fairly tight and the condensed width amplifies verticality, so the face gains presence quickly at larger sizes while the rough edges can crowd fine details at small sizes.