Sans Superellipse Tikoz 2 is a bold, very narrow, low contrast, upright, normal x-height font visually similar to 'ATF Alternate Gothic' by ATF Collection, 'Neumatic Gothic' and 'Neumatic Gothic Round' by Arkitype, 'Fairweather' by Dharma Type, 'Rylan' by Jen Wagner Co., and 'Molde' by Letritas (names referenced only for comparison).
Keywords: posters, headlines, packaging, labels, signage, industrial, utilitarian, rugged, retro, mechanical, space saving, high impact, textured print, industrial tone, signage voice, condensed, chunky, rounded corners, ink-trap feel, distressed edge.
This typeface is a tightly condensed sans with heavy, compact forms built from rounded-rectangle geometry. Strokes stay fairly even, producing a dense color, while corners are softened and terminals often look squared-off rather than tapered. Many glyphs show slightly irregular, worn-looking edges, giving the outlines a stamped or printed-from-rough-plates character. Counters are small and vertical emphasis is strong, with tall ascenders/uppercase and narrow internal apertures that reinforce the compressed rhythm.
It performs best as a display face for posters, headlines, and short blocks of copy where compact width and high impact are desirable. The sturdy shapes and slightly distressed edges also suit packaging, labels, and signage-style applications that benefit from a rugged, industrial voice.
The overall tone feels functional and tough, with a vintage industrial edge. The slight roughness adds a handmade, workwear sensibility, suggesting signage, packaging, or stencil-adjacent labeling rather than refined editorial typography.
The design appears intended to deliver maximum presence in minimal horizontal space, using rounded-rectangle construction to maintain consistency across curves and straights. The subtly rough outline treatment seems aimed at adding texture and a printed, utilitarian authenticity without sacrificing the strong, condensed structure.
In text, the narrow proportions create a tight horizontal rhythm and strong vertical striping, especially in sequences of straight-sided letters. Round letters (like O/C) read as squarish rounds, which keeps the texture consistent across the alphabet, while the irregular outline texture can become more noticeable at larger sizes.