Slab Square Irsu 2 is a very bold, wide, medium contrast, italic, normal x-height font visually similar to 'Clavo' by Dada Studio, 'FF Milo Slab' by FontFont, 'Diverda Serif' by Linotype, 'Mediator Serif' by ParaType, 'Calicanto' by Sudtipos, and 'Portada' by TypeTogether (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, editorial leads, retro, athletic, editorial, confident, punchy, impact, heritage feel, headline emphasis, motion, bracketed serifs, chunky, high-ink, compact counters, rounded joins.
A heavy, right-leaning slab serif with compact, rounded counters and sturdy, bracketed slab terminals. The letterforms show a strong horizontal emphasis—broad bowls, wide capitals, and thick stems—paired with subtly sheared construction that keeps the texture moving across a line. Curves are generously rounded and transitions are smooth, while flat-topped slabs and firm feet give the design a grounded, poster-ready silhouette. Numerals share the same weighty build and slightly condensed internal spaces, keeping the overall color dense and consistent.
This font is best suited to display contexts where strong presence and quick recognition matter: headlines, poster typography, cover lines, and bold editorial openers. It also fits branding for sports, heritage-inspired packaging, and signage where a confident, vintage-leaning slab serif can anchor the layout.
The overall tone is assertive and nostalgic, evoking classic sports headlines and mid-century print display. Its bold, slanted stance feels energetic and persuasive, with a friendly warmth coming from the rounded curves and softened joins.
The design appears intended to deliver maximum impact with a lively, slanted voice—combining stout slab serifs and rounded, ink-rich shapes for a classic display feel. It prioritizes bold texture and immediacy over delicacy, aiming for readability at larger sizes and strong graphic personality.
At text sizes the dense interior spaces and heavy serifs create a dark, impactful rhythm, making it especially effective when set with ample tracking or in short, emphatic lines. The italic slant reads as an integral part of the design rather than a simple oblique, reinforcing the forward drive.