Sans Faceted Lynu 10 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Forza' by Hoefler & Co.; 'Hinnual', 'Karnchang', 'Lohamon', and 'Phatthana' by Jipatype; and 'Gemsbuck Pro' by Studio Fat Cat (names referenced only for comparison).
Keywords: headlines, posters, branding, sportswear, gaming ui, techno, industrial, sporty, futuristic, mechanical, impact, modernity, precision, ruggedness, systematic, angular, faceted, chamfered, squared, geometric.
A heavy, geometric sans built from straight strokes and flattened curves, with small chamfered corners that create a faceted, machined silhouette. Counters are mostly rectangular or squarish, and bowls/rounds are rendered as broad arcs that stay close to a boxy framework. The stroke endings are clean and firm, producing crisp horizontal and vertical emphasis and a compact, efficient rhythm. Uppercase forms are wide and steady, while the lowercase is simplified and sturdy with single‑storey shapes and tight apertures that maintain the same planar construction.
Best used for headlines and short text where its faceted construction and strong silhouette can read clearly at size. It fits branding systems that want an engineered or performance feel, as well as sports, gaming, and technology-facing graphics where a tough, modern tone is desirable.
The overall tone feels engineered and contemporary—more “hardware” than “handmade.” Its angular facets and squared curves suggest speed, durability, and a technical mindset, giving it a confident, assertive voice suited to modern, utilitarian aesthetics.
The font appears designed to translate a rounded grotesque foundation into a more mechanical, planar form by replacing soft curves with squared arcs and chamfered corners. The goal seems to be a high-impact display voice that remains systematic and legible while projecting a technical, forward-leaning personality.
The design’s consistency comes from repeating the same chamfer logic across corners and joins, which keeps even complex letters (like G, S, and numerals) aligned to the same geometric system. The numerals follow the same squarish, cut-corner language, reading as robust and display-oriented.