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Free for Commercial Use

Sans Normal Otmuh 2 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Genius' by Artegra, 'Innova' by Durotype, 'Interval Next' by Mostardesign, 'Reyhan' by Plantype, 'Core Sans N SC' and 'Core Sans NR' by S-Core, and 'Peter' by Vibrant Types (names referenced only for comparison).

Keywords: branding, posters, headlines, sports, packaging, sporty, energetic, modern, friendly, confident, impact, speed, approachability, modernity, display, rounded, oblique, geometric, compact, sturdy.


Free for commercial use
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A heavy, oblique sans with rounded geometry and smooth, low-contrast strokes. Curves are generous and corners are softened, giving counters a clean, open feel while maintaining a compact, sturdy silhouette. The slant is consistent across uppercase, lowercase, and numerals, and the rhythm reads as steady and slightly condensed in feel due to broad strokes and tight internal spacing in some letters. Numerals are robust and rounded, matching the letterforms’ uniform weight and streamlined construction.

This font is a strong choice for branding systems, sports and lifestyle identities, posters, and punchy headline typography where a bold, forward-leaning voice is desired. It can also work on packaging and social graphics, especially when you want high impact and a friendly, rounded finish rather than a sharp technical look.

The overall tone is assertive and kinetic, with a contemporary, sporty attitude. Rounded terminals keep it approachable, while the strong weight and forward slant add momentum and confidence—well suited to designs that want to feel active and modern rather than formal.

The design appears intended to deliver a high-impact italic sans that feels fast and contemporary, balancing muscular stroke weight with softened curves for accessibility. Its consistent slant and rounded construction suggest a focus on energetic display typography that remains clear and cohesive across letters and numerals.

Uppercase forms stay relatively straightforward and geometric, while lowercase shapes lean into round bowls and simple, single-storey constructions where applicable, emphasizing clarity at display sizes. The slant and weight create a strong texture in paragraphs, making it most comfortable when given generous leading and used at larger sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸