Sans Normal Edriy 10 is a light, wide, medium contrast, italic, tall x-height, monospaced font visually similar to 'Freigeist' by René Bieder (names referenced only for comparison).
Keywords: ui text, coding, tables, labels, infographics, modernist, technical, clean, efficient, calm, clarity, consistency, utility, systematic, slanted, geometric, open apertures, rounded terminals, generous spacing.
A slanted, monolinear sans with wide letterforms and a consistent, steady rhythm. Strokes stay clean and fairly uniform, with softly rounded joins and terminals that keep the texture smooth rather than sharp. Counters are open and shapes lean toward simple geometric construction—especially in round letters—while diagonals and curves remain restrained and controlled. The overall fit is regular and even, producing a tidy, structured line in running text.
Works well for interface text, dashboards, and any setting where alignment and consistent character widths help scanning, such as tables, forms, and data-heavy layouts. The open shapes and smooth texture also suit short paragraphs, captions, and technical documentation where a neutral, efficient voice is desired.
The tone is contemporary and practical, with a subtle forward-leaning energy from the slant. Its calm, uncluttered shapes read as functional and technical rather than expressive or decorative. The spacing and uniformity give it an organized, utilitarian feel suited to systematic design.
The design appears intended to provide a neutral, system-ready sans with a disciplined rhythm and a slight slant for momentum. Its consistent structure and open forms suggest prioritizing clarity and predictable spacing for functional typography in digital and informational contexts.
Uppercase forms appear straightforward and open, while lowercase maintains a clear, simplified loop structure with few idiosyncrasies. Numerals are clean and legible with minimal ornamentation, matching the same slanted, even-stroke logic as the letters.