Sans Other Voro 5 is a bold, wide, low contrast, upright, normal x-height font.
Keywords: posters, headlines, signage, logos, packaging, industrial, utilitarian, mechanical, stenciled, retro-futurist, stencil effect, industrial voice, graphic texture, display impact, slabbed curves, notched, cut-in, monoline, geometric.
A heavy, geometric sans with monolinear strokes and a distinctly cut, stencil-like construction. Many characters are built from broad, squared forms with deliberate internal gaps, notches, and segmented counters that create a modular rhythm across the alphabet. Curves are simplified into chunky arcs, terminals are mostly flat, and joins favor abrupt angles over smooth transitions, giving the design a machined, template-driven feel. Numerals and key round letters (such as O/C/G/Q) emphasize the signature breaks, while diagonals (V/W/X/Y/Z) appear sharp and assertive.
Best suited to display settings such as posters, headlines, title cards, logos, and packaging where its segmented stencil motif can be clearly seen. It can also work for wayfinding or industrial-inspired signage when used at larger sizes with generous spacing. For extended reading or small UI text, the intentional gaps and simplified forms may reduce clarity, so it’s more effective as an accent or primary display face.
The overall tone is industrial and technical, evoking labeling systems, machinery markings, and constructed signage. Its repeated cut-ins and segmented shapes add a slightly covert or tactical flavor, while still reading as bold and playful in short bursts. The result feels both utilitarian and stylized—like a functional stencil pushed into a graphic display voice.
The design appears intended to deliver a bold, attention-grabbing sans with a systematic stencil/slot aesthetic. By repeating consistent breaks and notches across rounds and stems, it prioritizes graphic identity and industrial character over traditional text neutrality.
The distinctive breaks sometimes remove familiar letter cues, especially in smaller sizes, so the strongest impact comes when the shapes have room to breathe. In the sample text, the recurring internal gaps become a consistent texture that reads as a deliberate motif rather than incidental detail.