Sans Other Voro 8 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Natio' by Degarism Studio, 'Urania' by Hoftype, 'Monto Grotesk' by Lucas Tillian, 'Nustar' by Matt Chansky, and 'Eloquia' by Typekiln (names referenced only for comparison).
Keywords: posters, headlines, branding, packaging, sportswear, industrial, stenciled, tactical, utilitarian, assertive, stencil styling, high impact, industrial marking, display emphasis, blocky, modular, notched, rounded, geometric.
A heavy, block-built sans with broad proportions and rounded exterior corners. Many glyphs feature deliberate stencil-like interruptions: vertical center splits in bowls (notably C/G/O/Q and several numerals) and occasional horizontal breaks, creating a segmented, modular silhouette. Strokes maintain consistent thickness with minimal modulation, and counters are compact, emphasizing solid black mass. Diagonals are clean and straight (V/W/X/Y), terminals are mostly squared, and spacing feels even and sturdy for display settings.
Best suited to large-size typography where the stencil breaks can read clearly—headlines, posters, product packaging, and bold brand marks. It can also work for apparel graphics or environmental/wayfinding-style applications that benefit from an industrial stencil aesthetic, while long passages of small text may feel heavy and busy.
The segmented construction and dense weight give the face an industrial, equipment-marking attitude—practical, forceful, and slightly militaristic. Its rhythm reads as engineered and functional rather than friendly, with the stencil breaks adding a coded, tactical flavor.
The design appears intended to fuse a straightforward geometric sans foundation with a stencil system, producing a rugged, highly graphic display face. Its emphasis on solid mass, simplified shapes, and repeatable cut patterns suggests a focus on strong impact and visual consistency across letters and numerals.
Round letters rely on circular geometry with internal cutouts that preserve legibility while clearly signaling the stencil concept. Several forms lean toward simplified, sign-paint-like construction (single-storey a, compact e), and the numerals echo the same split-bowl motif for consistency.