Sans Other Husi 9 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Heavitas Neue' by Graphite, 'Dress Code' by Larin Type Co, 'Organetto' by Latinotype, and 'Daikon' and 'Golca' by Pepper Type (names referenced only for comparison).
Keywords: posters, headlines, logos, signage, packaging, industrial, stencil, utilitarian, techno, impactful, stencil effect, industrial voice, graphic impact, signage styling, geometric, modular, angular, notched, high-ink.
A heavy, geometric sans with stencil-like construction and deliberate breaks running through many strokes. Letterforms are built from broad, low-contrast shapes with a mix of straight edges and large circular bowls, giving a modular, cut-from-solid feel. Several glyphs show distinctive notches and segmented counters (notably O/Q and some numerals), while diagonals are chunky and tightly integrated into the overall blocky rhythm. Spacing and widths vary by glyph, but the overall texture remains dense and strongly graphic, prioritizing silhouette clarity over fine detail.
Best suited to short, high-impact settings such as posters, title treatments, brand marks, event graphics, and signage where the cut/stencil detailing can be appreciated. It can also work on packaging or labels that benefit from an industrial or technical aesthetic, especially at medium-to-large sizes.
The font reads as industrial and utilitarian, with a technical, fabricated character reminiscent of marking, labeling, or cut-out signage. Its segmented strokes add a rugged, engineered tone that feels bold, assertive, and slightly futuristic.
The design appears intended to deliver maximum presence with a constructed, stencil-inflected look—combining simple geometric foundations with strategic cut-ins to suggest manufacturing, machining, or marking conventions while remaining readable and bold.
The stencil breaks are not uniform across every character, creating a lively, distressed-meets-mechanical flavor rather than a strictly standardized stencil system. In longer text, the frequent interruptions form a distinctive pattern that becomes part of the voice, so it performs best when that texture is desirable and not mistaken for damage or noise.