Sans Superellipse Ibreg 6 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Artegra Sans' by Artegra, 'Neusa Neu' by Inhouse Type, 'Azbuka' by Monotype, and 'Forgotten Futurist' by Typodermic (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, industrial, playful, retro, assertive, friendly, impact, bold branding, high visibility, retro display, friendly solidity, blocky, rounded, compact, geometric, soft corners.
A heavy, blocklike sans with rounded-rectangle construction and consistently softened corners. Strokes are uniform and low-contrast, with broad verticals and squared terminals that read as cut from solid shapes rather than drawn with a pen. Counters are compact and often squarish (notably in O, D, P, and 8), creating a dense, sturdy color on the page. The lowercase is simple and utilitarian, with single-storey forms and short, blunt arms; punctuation is minimalistic, and figures are wide, bold, and highly stable.
Best suited to headlines, posters, packaging, and branding where weight and presence are desirable. It also works well for labels, signage, and UI moments that need bold, high-visibility emphasis, especially in short bursts of text rather than long reading passages.
The overall tone is loud, direct, and durable, balancing an industrial toughness with a friendly, game-like roundness. Its chunky geometry suggests a retro display sensibility—confident and attention-seeking—while the softened corners keep it approachable rather than harsh.
The design appears intended to deliver maximum impact through compact, rounded-rectilinear forms and uniform stroke weight, creating a sturdy display voice that remains friendly and contemporary. Its geometry prioritizes clarity of silhouette and a strong typographic “stamp” effect in large sizes.
At text sizes it produces a strong, dark texture and benefits from generous spacing and line height to avoid crowding. The squared curves and tight apertures can reduce differentiation in dense settings, but they enhance impact in short lines and large-scale typography.