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Free for Commercial Use

Sans Normal Ambas 5 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'BR Shape' by Brink, 'Halenoir' and 'Helonik' by Ckhans Fonts, 'Natio' by Degarism Studio, 'Hando' and 'Hando Soft' by Eko Bimantara, and 'Arbeit Pro' by Studio Few (names referenced only for comparison).

Keywords: headlines, ui, signage, posters, branding, modern, neutral, clean, confident, friendly, clarity, versatility, modernity, approachability, geometric, rounded, monoline, compact, high legibility.


Free for commercial use
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A contemporary sans with monoline strokes and smoothly rounded curves, combining near-circular bowls with straight, efficiently cut terminals. Proportions feel balanced and compact, with open counters and consistent stroke endings that keep shapes crisp at larger sizes. The lowercase shows a clear, workmanlike structure with a double-storey “a,” single-storey “g,” a sturdy “t” with a short crossbar, and a compact “r,” while uppercase forms stay simple and evenly weighted. Numerals are straightforward and sturdy, with a clean “1” and round, stable “0/8/9” forms.

Well-suited to headlines and subheads where a strong, modern sans presence is needed, and it also reads cleanly in UI labels, navigation, and product interfaces. Its sturdy forms and open counters make it a practical choice for signage and editorial callouts, as well as contemporary brand systems that want a straightforward, friendly sans tone.

The overall tone is modern and neutral, projecting clarity and reliability rather than ornament. Its rounded construction adds a mild friendliness, while the firm weight and simple terminals give it a confident, no-nonsense voice suitable for contemporary branding and UI typography.

The font appears designed to provide a dependable, modern sans voice with high clarity and a slightly softened geometric feel. It prioritizes consistent structure and legibility in both display and short text, aiming for broad utility in contemporary digital and print design.

Spacing and rhythm read even in paragraph settings, with recognizable shapes that separate well (notably the open “e” and the distinct “G/Q” constructions). The design favors clarity through uncomplicated geometry and consistent curves, making it feel composed and systematic in running text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸