Sans Superellipse Uhfu 1 is a bold, wide, low contrast, upright, normal x-height font visually similar to 'Black Square' by Agny Hasya Studio, 'Plasma' by Corradine Fonts, 'FX Ambasans' by Differentialtype, 'Olney' by Philatype, and 'Obvia Expanded' by Typefolio (names referenced only for comparison).
Keywords: headlines, branding, logos, packaging, posters, tech, futuristic, industrial, confident, sporty, impact, modernization, systematic, clarity, sci-fi feel, square-rounded, geometric, monoline, blocky, high-impact.
A heavy, geometric sans built from rounded-rectangle (superellipse) forms, with broadly squared counters and softened corners. Strokes are largely monoline with minimal contrast, producing a dense, even color. Curves resolve into flat-ish arcs and radiused joins rather than true circular bowls, and terminals are consistently blunt or softly squared. Proportions feel horizontal and compact in the curves, with generous inner rounding that keeps letters open despite the weight; figures and capitals share the same squared, engineered construction.
Best suited to display settings where strong presence and crisp geometry matter: headlines, identity marks, product branding, packaging, posters, and UI/overlay titling. It can work for short-to-medium text in layouts that benefit from a firm, technical rhythm, but its dense weight favors larger sizes and spacious tracking.
The overall tone is modern and utilitarian, with a tech-forward, machine-made feel. Its chunky geometry reads assertive and energetic, suggesting contemporary digital interfaces, sports branding, and sci‑fi or industrial themes without becoming playful or ornamental.
The design appears intended to deliver a robust, contemporary sans with a rounded-square skeleton—optimized for punchy messaging and a consistent, engineered look across letters and figures. Its restrained detailing and systematic curves suggest an emphasis on scalability, clarity, and a distinctive “soft industrial” voice.
Round letters like O/Q/0 use a squared aperture with a clean, rectilinear counter, and diagonals (A, K, V, W, X, Y) are kept sturdy to maintain uniform texture. The lowercase maintains the same modular logic, with single-storey forms and simplified shapes that prioritize clarity and impact at display sizes.