Sans Superellipse Esdol 1 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Bebas Neue Pro' by Dharma Type, 'Gibstone' by Eko Bimantara, 'FF Hydra' by FontFont, 'Fester' by Fontfabric, 'Neusa Neu' by Inhouse Type, and 'Karibu' by ROHH (names referenced only for comparison).
Keywords: headlines, branding, posters, sportswear, packaging, sporty, dynamic, modern, confident, utilitarian, convey motion, modern branding, graphic impact, functional clarity, slanted, rounded, boldish, compact, clean.
A slanted sans with rounded, superellipse-like curves and sturdy, low-contrast strokes. The forms lean consistently forward with compact proportions, smooth joins, and mostly closed apertures that keep the texture dense and even. Terminals are clean and slightly softened rather than sharp, while counters stay simple and geometric. Numerals follow the same forward-leaning rhythm, with clear, sturdy shapes (including a slashed zero) that match the letterforms’ blunt, functional geometry.
Works well for headlines, short statements, and brand marks where a dynamic, modern slant helps convey speed or momentum. The sturdy, rounded construction also suits packaging, wayfinding-style graphics, and sports or tech-themed collateral where clarity and impact are prioritized over delicate detail.
The overall tone is energetic and purposeful, with a sporty, forward-moving stance. Its rounded geometry keeps it approachable, while the dense rhythm and firm strokes give it a confident, no-nonsense voice suited to modern interface and branding contexts.
Likely designed to deliver a fast, contemporary voice by combining geometric, rounded construction with a consistent forward slant. The emphasis appears to be on punchy readability, uniform texture, and a practical, engineered feel across letters and numbers.
Uppercase shapes read strongly at a distance thanks to broad strokes and straightforward silhouettes, while lowercase maintains a compact, efficient feel. The italic angle is pronounced enough to suggest motion without becoming calligraphic, keeping the style firmly in a geometric, engineered lane.