Sans Superellipse Fekam 6 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Gibstone' by Eko Bimantara, 'Geogrotesque Sharp' by Emtype Foundry, 'Benton Sans' and 'Benton Sans Std' by Font Bureau, 'FS Industrie' by Fontsmith, 'Helsinki' by Ludwig Type, 'Uniform Italic' by Miller Type Foundry, and 'Amsi Grotesk' by Stawix (names referenced only for comparison).
Keywords: headlines, posters, branding, sportswear, packaging, sporty, punchy, confident, modern, energetic, impact, momentum, modernity, clarity, oblique, compact, rounded, blunt, ink-trap-like.
A heavy, oblique sans with compact proportions and rounded-rectangle shaping throughout. Curves resolve into blunt, softened corners, giving bowls and counters a superellipse feel rather than pure circles. Strokes are broadly uniform with minimal contrast, and terminals are clean and solid; several joins show subtle notches that read like pragmatic ink-trap-like cut-ins. The overall rhythm is tight and sturdy, with wide, stable capitals and lowercase forms that stay upright in structure while leaning consistently forward.
Best suited to display settings where impact and speed matter: headlines, posters, brand marks, and campaign graphics. It also fits sports and lifestyle branding, apparel graphics, and packaging where compact, energetic typography is desirable. For longer text, it will read most comfortably at larger sizes due to its dense color and strong slant.
The face projects a fast, assertive tone—athletic and utilitarian rather than delicate. Its rounded geometry keeps it friendly and contemporary, while the strong weight and forward slant add urgency and momentum. The overall impression is confident, bold in presence, and well-suited to high-impact messaging.
The design appears intended to combine modern rounded-rectangle geometry with a high-energy oblique stance, prioritizing bold presence and quick recognizability. The sturdy construction and subtle cut-ins suggest a focus on practical reproduction and crisp silhouettes in attention-grabbing contexts.
The oblique angle is pronounced and consistent across cases and figures, helping lines of text feel dynamic. Counters are kept open enough for strong word shapes in display sizes, and the numerals appear robust and blocky for punchy emphasis.