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Inline Paho 2 is a bold, wide, very high contrast, upright, tall x-height font.

Keywords: headlines, posters, logos, packaging, titles, art deco, glamorous, theatrical, retro, architectural, decoration, period evocation, headline impact, ornamental texture, inline, stencil-like, geometric, monoline cuts, display.


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A geometric display face built from hefty, high-contrast forms with crisp, carved inline channels running through many strokes. Curves are broadly circular and verticals are straight and dominant, creating a strong columnar rhythm, while joins and terminals stay clean and sharply defined. The inline cutouts behave like a consistent engraved highlight, sometimes splitting stems or slicing bowls to produce a bold, poster-ready silhouette with a distinct internal pattern. Proportions feel open and expanded, with large counters and a comparatively tall lowercase that keeps mixed-case setting visually even.

Best suited to headlines, titles, and short statements where the inline detailing can be appreciated. It works especially well for posters, branding marks, packaging, and event or entertainment materials that benefit from a decorative, vintage-leaning voice. Use larger sizes and generous tracking when setting longer phrases to keep the internal cutouts from visually filling in.

The overall tone reads as classic Art Deco and showcard lettering—polished, glamorous, and slightly theatrical. The engraved inlines add a sense of spotlighting or chrome trim, giving the face a vintage-luxe feel that’s attention-grabbing and graphic rather than conversational.

The design appears intended to deliver a bold geometric framework enhanced by an engraved inline effect, evoking period display typography and adding a built-in ornamental highlight. The goal seems to be strong shelf impact and a distinctive texture in all-caps or prominent mixed-case settings.

The carved channels create intentional fragmentation in some shapes, which boosts personality but can reduce clarity at small sizes. In longer text, the repeating inline motif becomes a strong texture, so spacing and size choices will heavily influence legibility and perceived density.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸