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Free for Commercial Use

Sans Contrasted Inmy 6 is a bold, normal width, very high contrast, upright, tall x-height font.

Keywords: posters, headlines, logotypes, packaging, signage, art deco, glamorous, theatrical, vintage, high drama, deco revival, decorative display, brand impact, ornamental texture, geometric, monoline accents, inline cuts, stencil-like, flared terminals.


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A geometric sans with sharp, vertical stress and dramatic inline cut-ins that create a split-stroke effect through many letterforms. Stems are often rendered as solid vertical slabs paired with slender hairline returns, producing strong figure/ground contrast and a distinctly constructed rhythm. Bowls skew toward near-circular geometry, counters are tight, and joins are crisp, giving the alphabet a polished, machined feel. The lowercase keeps a tall presence with compact apertures and frequent vertical slicing details, while numerals mix straight-backed forms with rounded bowls and similarly segmented strokes for a cohesive set.

Best suited to headlines, posters, and brand marks where the inline cuts and strong geometry can be appreciated at larger sizes. It also works well for packaging, menus, and signage that wants a vintage-luxe, decorative sans voice. For long passages of small body text, the internal cut details may become visually busy, so larger display sizes are the most natural fit.

The overall tone is unmistakably Art Deco: elegant, display-forward, and slightly theatrical. Its alternating heavy solids and fine lines read as luxe and cinematic, evoking marquee lettering, cocktail-era poster type, and ornamental signage. The style feels confident and fashion-oriented rather than utilitarian.

The design intent appears to be a modernized Art Deco display sans that balances geometric construction with ornamental stroke division. By combining solid vertical masses with hairline accents, it aims to create a glamorous, high-impact texture that stands out in titles and branding while maintaining a cohesive, system-like alphabet.

The inline segmentation is a dominant motif and can visually thicken or thin parts of letters depending on size and background, creating a lively shimmer in text. Spacing appears designed for display settings, where the internal cuts remain legible and contribute to the patterning across words. Round letters (like O/C/G) emphasize the geometric base, while diagonals (V/W/X/Y) introduce sharp, graphic silhouettes that reinforce the decorative construction.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸