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Sans Contrasted Inha 4 is a bold, wide, very high contrast, upright, normal x-height font.

Keywords: posters, headlines, logotypes, packaging, signage, art deco, theatrical, jazz-age, ornamental, dramatic, retro styling, visual impact, decorative display, branding, stencil-like, geometric, inline cuts, high-contrast, display.


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A geometric display sans with sharply contrasted forms built from hefty vertical slabs paired with hairline arcs and connecting strokes. Many letters are constructed as split shapes with vertical interior cut-ins and inline gaps that create a stencil-like, segmented rhythm. Counters tend toward circular and semi-circular geometry, while joins are crisp and angular, producing a sculpted, poster-ready silhouette. Spacing and widths vary noticeably across the set, and the numerals echo the same carved, split-bowl treatment for a consistent, graphic texture.

Best suited for large-scale display settings such as posters, headlines, event materials, and brand marks where the segmented geometry can be appreciated. It can also work for packaging and signage that wants a vintage-modern, luxe feel, but it is less appropriate for long passages or small UI text.

The overall tone feels distinctly Art Deco and stage-forward, mixing luxury with a bit of mystery through its dramatic black-to-hairline contrast and cutout detailing. It reads as glamorous and period-evocative—suggestive of jazz clubs, film titles, and vintage signage—while still maintaining a clean sans structure.

The design appears intended to deliver an unmistakable period display voice by combining simple sans skeletons with ornamental, stencil-like internal cuts and extreme stroke contrast. The goal is impact and atmosphere over neutrality, creating a distinctive graphic signature in a few words or a short line.

The inline separations and extreme contrast are integral to recognition but can reduce legibility at small sizes, especially in dense text. The font’s strong vertical emphasis and repeating cut-in motif create a striking pattern across lines, making it particularly effective when set with generous size and spacing.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸