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Free for Commercial Use

Sans Normal Okded 14 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Astoria Sans' by Alan Meeks, 'Halifax' by Hoftype, 'Frutiger' and 'Frutiger Arabic' by Linotype, 'MVB Solitaire Pro' by MVB, 'Camphor' and 'Morandi' by Monotype, and 'FreeSet' by ParaType (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, industrial, technical, modern, sturdy, utilitarian, industrial branding, stencil effect, display impact, systematic geometry, geometric, monoline, compact, closed apertures, blunt terminals.


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A heavy, geometric sans with monoline strokes and largely circular bowls. Curves are smooth and full, while joins and terminals are blunt and squared-off, producing a solid, machined feel. Counters tend to be compact and apertures are fairly closed, increasing density in text. A distinctive detail is the recurring vertical stencil-like split through rounded forms (notably in o, O, 0, 8, g), creating a consistent cutout motif across the alphabet and numerals.

Best suited to high-impact display use such as headlines, posters, logos, packaging, and short signage where the stencil splits can serve as a recognizable brand cue. It can also work for UI or labeling when set large enough to preserve the cutout detail and avoid overly dark text blocks.

The overall tone is industrial and technical, with a contemporary, engineered character. The stencil cuts add a rugged, utilitarian flavor that reads as functional rather than decorative, while the round geometry keeps it approachable and modern.

The design appears intended to merge a geometric sans foundation with a consistent stencil interruption, creating a distinctive industrial signature without introducing serifs or ornamental flourishes. It prioritizes strong presence and repeatable, system-like shapes that hold up in bold, attention-getting contexts.

In the sample text, the weight and closed apertures create strong color and impact at larger sizes, while the internal cutouts can become a primary visual feature that competes with fine spacing at smaller sizes. Numerals are robust and clear, and punctuation appears straightforward and minimal, matching the no-nonsense construction.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸