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Free for Commercial Use
Wacky Hidoz 2

Wacky Hidoz 2 is a regular weight, normal width, medium contrast, upright, normal x-height font.

Keywords: posters, headlines, packaging, kids titles, event promos, playful, quirky, storybook, carnival, hand-cut, attention-grab, decorative texture, handmade feel, retro display, stencil-like, notched, chunky, flared, chiseled.


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A bold, display-oriented serif with sculpted, wedge-like terminals and distinctive inward notches that read as stencil cuts or carved bites. Strokes are mostly monolinear with moderate contrast introduced by angled joins and flared ends rather than true pen modulation. The construction favors rounded bowls paired with abrupt, geometric cut-ins, producing a lively, uneven rhythm across words while maintaining consistent cap height and a sturdy baseline. Uppercase forms feel compact and blocky, while lowercase retains clear counters and a straightforward, readable skeleton despite the decorative interruptions.

Best used for short, high-impact settings such as posters, titles, and bold headlines where the notched detailing can be appreciated. It can add character to packaging, signage, or event promotions, especially for whimsical, retro, or craft-themed concepts. For longer passages, it works most reliably in larger sizes with generous spacing to keep the interior cut-ins from visually crowding.

The recurring notches and sharp terminal flares give the face a mischievous, theatrical tone—part poster lettering, part hand-cut stencil. It feels energetic and slightly eccentric, suited to lighthearted messaging where personality is more important than typographic restraint.

This design appears intended as a one-of-a-kind display face that injects instant character through a consistent system of carved notches and flared terminals. The goal seems to be a memorable texture and a slightly offbeat, handmade impression while keeping letterforms recognizable enough for clear headline reading.

The most recognizable motif is the repeated mid-stroke “pinch” or bite on verticals and curves, which becomes a strong texture at text sizes. Numerals and round letters (like O/Q/8/9) emphasize the carved-in cutouts, while diagonals (V/W/X/Y) keep a crisp, angular presence that reinforces the playful, constructed feel.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸