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Free for Commercial Use

Serif Other Toli 9 is a bold, very narrow, high contrast, upright, tall x-height font.

Keywords: headlines, posters, mastheads, branding, packaging, dramatic, vintage, theatrical, authoritative, editorial, space saving, headline impact, period flavor, strong hierarchy, display drama, condensed, vertical, bracketed serifs, ink-trap feel, stencil-like joints.


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A condensed serif with strongly vertical proportions and pronounced thick–thin modulation. Stems are heavy and dark while hairlines and crossbars get extremely fine, producing sharp, crisp counters and a tight, poster-like rhythm. Serifs are small and bracketed, often reading as wedge-like terminals; several joins show narrow, pinched transitions that add a slightly engineered, cut-in look. Curves are compact and controlled, and the overall fit is tight, emphasizing height and density over openness.

Best suited to display settings where tight width and strong contrast are advantages: headlines, mastheads, posters, title cards, and brand marks that need a tall, commanding silhouette. It can work for short editorial callouts or packaging where a condensed, high-impact serif voice is desired; extended small text would typically require generous size and spacing to keep hairlines from disappearing.

The tone is bold and theatrical, with a vintage editorial flavor that suggests headlines, playbills, and display typography from early modern print traditions. Its stark contrast and compressed width create an assertive, almost declarative voice—formal, dramatic, and attention-grabbing rather than casual.

The design appears intended as a dramatic condensed display serif that maximizes impact in limited horizontal space. By combining extreme contrast with compact curves and crisp bracketed serifs, it aims to deliver a classic-yet-decorative headline character with strong vertical momentum.

In the sample text, the font maintains a consistent vertical “barcode” texture, with striking black columns interrupted by razor-thin horizontals. Numerals and uppercase forms feel particularly poster-oriented, while lowercase retains a similar narrow, upright stance, supporting compact setting with strong presence.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸