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Free for Commercial Use

Serif Other Toli 1 is a bold, narrow, medium contrast, upright, normal x-height font visually similar to 'EFCO Colburn' by Ilham Herry (names referenced only for comparison).

Keywords: headlines, posters, mastheads, book covers, branding, authoritative, vintage, editorial, industrial, dramatic, space saving, headline impact, classic authority, display presence, heritage tone, compressed, high-waisted, bracketed, beaked, engraved.


Free for commercial use
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A compressed serif with sturdy vertical stems, moderately thinned horizontals, and crisp, bracketed serifs that often end in beak-like points. The design emphasizes tall proportions and tight internal spacing, with squared-off curves and slightly flattened bowls that create an engraved, poster-like rhythm. Lowercase forms keep a compact, high-waisted structure (notably in a, e, and s), while capitals maintain rigid, architectural silhouettes and strong vertical emphasis. Numerals match the condensed stance and carry the same sharp terminals and weighty presence.

Best suited for display contexts where a strong, space-saving serif is needed—headlines, mastheads, posters, and packaging or branding that benefits from a classic, commanding tone. It can work for short subheads or pull quotes, but the dense, condensed construction is most comfortable at larger sizes.

The overall tone feels assertive and traditional, with a vintage, headline-driven character that reads as formal and slightly theatrical. Its compressed strength and sharpened terminals evoke editorial mastheads, old-style display typography, and industrial-era signage.

Likely designed to deliver maximum impact in limited horizontal space while retaining a distinctly serifed, traditional voice. The sharpened terminals and engraved-like shaping suggest an intent to bridge classic editorial typography with a bold, attention-getting display presence.

Stroke joins and terminals are consistently crisp, giving the face a clean cut, print-forward appearance rather than a soft or calligraphic one. The condensed width and prominent serifs make letterspacing and line length feel naturally tight, reinforcing its suitability for impactful setting.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸