Sans Normal Bokar 10 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Ghino' and 'Rafine' by Fontmachine and 'Catesque' by Gumpita Rahayu (names referenced only for comparison).
Keywords: ui text, web content, product design, signage, presentations, neutral, modern, functional, friendly, clean, everyday readability, neutral branding, clean ui, geometric, rounded, monolinear, open counters, crisp terminals.
This sans shows a clean, largely monolinear construction with smooth circular and elliptical curves and restrained, straight-sided joins. Round letters like C, O, and Q are spacious with open counters, while vertical stems are steady and even, creating an orderly texture in text. Terminals are mostly straight and unadorned, and diagonals (as in A, V, W, and X) are crisp without calligraphic modulation. The lowercase is simple and readable, with a single-storey “a” and “g,” a compact shoulder on “r,” and a clean, short crossbar on “t.” Numerals are straightforward and legible, with rounded bowls and consistent stroke behavior that matches the letters.
This font suits interface and web typography where dependable legibility and a tidy, modern appearance are needed. It can also work well for product and corporate communication, presentations, and clear wayfinding-style signage, especially at small to medium sizes where its open counters and simple forms stay readable.
The overall tone is neutral and contemporary, prioritizing clarity over personality-driven quirks. Its rounded geometry and open forms give it a mild friendliness, while the even rhythm keeps it practical and workmanlike for everyday communication.
The design reads as an all-purpose sans intended to deliver consistent, modern text color with minimal distraction. Its geometric leaning and straightforward glyph forms suggest a goal of broad usability across both short labels and extended reading.
Spacing appears balanced and consistent in the sample text, producing a calm line color without dark spots. The shapes lean toward geometric regularity, but with enough optical adjustment to keep curves and joins from feeling rigid, helping it remain comfortable in longer passages.