Sans Contrasted Kygo 2 is a light, normal width, very high contrast, upright, normal x-height font.
Keywords: headlines, branding, posters, logos, packaging, futuristic, art deco, editorial, stylish, techno, distinctive identity, retro futurism, display impact, graphic texture, monoline hairlines, banded strokes, geometric, crisp, sleek.
A geometric sans with dramatic hairline stems and thickened bands that read like horizontal “caps” or stripes across many characters. Curves are largely circular and clean, while joins stay crisp and controlled, creating a precise, engineered rhythm. Terminals are mostly straight and abrupt, with frequent use of thin verticals paired against heavier curved segments, producing a distinctly graphic, poster-ready texture. Spacing appears open and even, helping the delicate hairlines remain legible at display sizes despite the extreme stroke contrast.
Best suited for headlines, logotypes, and branding where the distinctive banded contrast can be appreciated at larger sizes. It also works well for posters, packaging, and editorial display applications that benefit from a refined, retro-futuristic voice. For longer text, it is most effective when used sparingly as a stylistic accent rather than a continuous reading face.
The overall tone is sleek and modern with a strong Art Deco/retro-futurist flavor. Its striped, high-drama contrast feels fashion-forward and slightly theatrical, suggesting luxury branding, nightlife, or sci‑fi interface aesthetics. The look is confident and stylized rather than neutral, prioritizing visual character and rhythm.
The design appears intended to reinterpret a geometric sans through a decorative contrast system—pairing hairline frameworks with bold bands to create a recognizable, ownable texture. It aims to deliver a contemporary display font with Art Deco cues and a strong graphic signature for identity-driven typography.
Several glyphs emphasize a signature motif: thin structural strokes intersected by bold horizontal or curved bands, which creates a consistent “cutout/overlay” impression across the alphabet and numerals. The sample text shows a lively pattern of dark accents that can dominate in long passages, making the design feel more suited to short, intentional typographic moments.