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Sans Contrasted Kygo 3 is a light, normal width, very high contrast, upright, normal x-height font.

Keywords: headlines, logos, posters, magazine, packaging, modernist, editorial, fashion, futuristic, art deco, visual impact, brand signature, geometric experiment, luxury tone, display clarity, monoline hairlines, sharp terminals, stencil-like, geometric, crisp.


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A sleek sans with dramatic stroke modulation: extremely thin hairlines contrast with bold, often flattened bowls and bars. Many letters use cut-through horizontal “bands” or interrupted counters, creating a stencil-like segmentation that repeats consistently across rounds like O/C/G and numerals such as 8 and 9. Curves are largely geometric and clean, while joins and terminals stay sharp and minimal, with occasional needle-thin verticals and angled diagonals that heighten a precise, engineered rhythm. Overall spacing reads airy, with prominent negative space and a display-oriented silhouette.

Best suited to headlines, logotypes, fashion/editorial layouts, posters, and brand applications where the distinctive sliced geometry can read clearly. It can also work for short pull quotes or packaging titles, especially in larger sizes where the hairlines and internal bands remain crisp.

The tone is polished and contemporary, with a high-fashion, poster-ready attitude. Its sliced forms and razor-thin strokes feel technical and futuristic, while the bold/void interplay adds an Art Deco–adjacent elegance. The result is confident and stylish rather than warm or casual.

The design appears intended as a statement display sans that explores extreme modulation and deliberate counter interruption as a unifying concept. By combining geometric construction with repeated horizontal cutlines, it aims to deliver a memorable, contemporary signature for branding and editorial use.

Several glyphs emphasize horizontal segmentation (notably E/F and many rounded letters), which becomes a defining motif across the set. The numerals echo the same logic with strong top/bottom masses and delicate connectors, giving figures a distinctive, graphic presence. The overall voice relies on shape contrast and negative space, so clarity is strongest when rendered at generous sizes or with ample contrast against the background.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸