Sans Superellipse Ferok 2 is a very bold, narrow, low contrast, italic, normal x-height font visually similar to 'Brohero' by Alit Design, 'Angela Love Sans' by Fargun Studio, and 'Gemsbuck Pro' by Studio Fat Cat (names referenced only for comparison).
Keywords: posters, sports branding, packaging, headlines, promotions, sporty, urgent, industrial, headline, retro, compact impact, speed cue, brand emphasis, modern retro, condensed, slanted, blocky, rounded corners, squared rounds.
A compact, slanted sans with heavy, dense strokes and tightly packed counters. The letterforms lean forward with a consistent italic angle, while curves are built from rounded-rectangle geometry that keeps bowls and terminals chunky rather than airy. Corners are softened but not fully circular, producing a squared-off rhythm across rounds like C, O, and G. Apertures stay relatively narrow and the internal spaces are small, giving the font a strong, poster-ready color and a brisk, compressed texture in lines of text.
Best suited to short, high-impact text where speed and emphasis matter: headlines, posters, promotional graphics, and sports-oriented branding. It also works well on packaging or labels that benefit from a condensed footprint and strong silhouette, and for bold numeric callouts such as pricing or scoreboard-style figures.
The overall tone is fast, forceful, and athletic, with a compressed stance that reads as competitive and high-energy. Its squared rounding and bold presence also introduce a slightly retro, industrial flavor—confident, utilitarian, and designed to grab attention quickly.
The design appears intended to deliver maximum impact in minimal horizontal space, combining a forward slant with softened, squared curves for a modernized athletic/industrial look. Its consistent construction prioritizes bold clarity and visual momentum in display settings.
The numerals match the compressed, forward-leaning construction and maintain the same rounded-rectangle logic, creating a cohesive set for scores, prices, and short data. In running samples, the dark typographic color and tight counters push it toward display use over long-form reading, especially at smaller sizes.