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Free for Commercial Use

Sans Superellipse Fedas 13 is a bold, narrow, low contrast, italic, normal x-height font visually similar to 'Dexa Pro' by Artegra, 'Mollen' by Eko Bimantara, 'Nestor' by Fincker Font Cuisine, 'Motorway' by K-Type, 'Sharp Sans Condensed' by Monotype, and 'Nu Sans' by Typecalism Foundryline (names referenced only for comparison).

Keywords: headlines, posters, sports branding, app ui, packaging, sporty, urgent, confident, modern, energetic, impact, speed, space saving, brand voice, display clarity, condensed, slanted, industrial, punchy, compact.


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A compact, slanted sans with heavy, even stroke weight and tightly controlled spacing. Letterforms are built from simplified, rounded-rectangle geometry: bowls are squarish and smoothly curved at the corners, terminals are clean and blunt, and curves stay firm rather than calligraphic. The caps are tall and sturdy with minimal interior shaping, while the lowercase remains straightforward and utilitarian, keeping counters relatively small and the overall silhouette dense. Numerals follow the same compact rhythm with sturdy, uniform forms designed to hold up at display sizes.

Best suited to headlines, posters, and branding that needs immediate impact—especially sports, fitness, and high-tempo campaigns. It can also work in UI for short labels, navigation, or call-to-action text where compactness and emphasis are desirable. For longer reading, it’s most effective in brief blocks or subheads where the slant and density remain controlled.

The overall tone is fast and forceful, with a forward-leaning stance that reads as athletic and assertive. Its dense color and compact proportions create a sense of urgency and impact, suited to contemporary, high-energy messaging rather than quiet editorial texture.

The design appears intended to deliver a contemporary, high-impact sans that combines compact proportions with a strong forward italic gesture. Its rounded-rectangular construction suggests a goal of durability and consistency across letters and numerals, prioritizing punchy presence and clear silhouettes in display-oriented settings.

The consistent, squared-round construction gives the face a slightly engineered feel, helping it stay crisp and legible in short bursts. The italic angle is strong enough to be expressive, so long passages can feel busy, but headlines benefit from the momentum.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸