Sans Superellipse Etgok 3 is a very bold, very narrow, low contrast, italic, normal x-height font visually similar to 'Gravitica Compressed' by Ckhans Fonts, 'Kaneda Gothic' by Dharma Type, 'Marteau' by Little Giant, 'Contraption' by Pink Broccoli, 'Hype vol 2' by Positype, and 'Blop11' by osialus (names referenced only for comparison).
Keywords: headlines, sports branding, posters, packaging, event graphics, sporty, urgent, industrial, retro, loud, high impact, space saving, speed cue, brand voice, condensed, slanted, blocky, square-rounded, compact.
A compact, aggressively condensed sans with a strong forward slant and dense black texture. Letterforms are built from squared, superellipse-like shapes with rounded corners and tight apertures, giving counters a pill/rounded-rectangle feel. Strokes stay largely uniform and sturdy, with occasional angled terminals and clipped joins that reinforce the compressed, speed-driven rhythm. Curves are controlled rather than soft, and the overall spacing reads tight and economical, designed to hold together as a dark, continuous word shape.
Best suited to short, high-impact settings such as headlines, sports identity systems, posters, apparel graphics, and packaging where a forceful, fast look is desirable. It also fits signage-style display work when used with generous size and careful tracking to preserve clarity.
The font projects speed and pressure—like athletic branding, racing graphics, or high-impact headlines. Its tall, packed silhouettes and forward lean communicate momentum and intensity, while the rounded-rectangle geometry keeps it clean and modern rather than rough or distressed.
The design appears intended to deliver maximum impact in minimal horizontal space while signaling motion through its pronounced slant. Its superellipse-based construction suggests a goal of modern, scalable display typography that feels engineered and brand-ready for energetic, attention-grabbing applications.
The condensed proportions and tight internal spaces make it most comfortable at larger sizes, where the rounded-rect counters and angled terminals remain clear. Numerals follow the same tall, compressed construction, matching the headline-first tone.