Sans Normal Piliv 7 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Plasto' by Eko Bimantara, 'Autumn Voyage' by Hanoded, 'Whitney' by Hoefler & Co., 'Morandi' by Monotype, 'Merge Pro' by Philatype, 'Amsi Pro' and 'Amsi Pro AKS' by Stawix, 'TT Norms Pro' by TypeType, and 'Artico' by cretype (names referenced only for comparison).
Keywords: posters, headlines, packaging, children’s, branding, playful, friendly, chunky, casual, cartoonish, approachability, impact, playfulness, simplicity, display, rounded, soft, blobby, bouncy, informal.
A heavy, rounded sans with soft corners and bulbous terminals that create an almost "molded" silhouette. Strokes are thick and even, with little to no contrast, and counters are compact, giving the letters a dense, cushioned presence. Curves dominate and joins are smoothed, while the overall spacing and rhythm feel roomy and relaxed rather than tightly engineered. Numerals match the same puffy construction, with simple, highly legible forms at display sizes.
Best suited for short, bold statements such as posters, headlines, titles, and attention-grabbing labels. It works well in playful branding, children’s-oriented materials, casual signage, and packaging where a friendly, chunky tone is desired; it is less suited to small-size body text due to its tight counters and heavy texture.
The font projects a warm, approachable personality with a comic, kid-friendly energy. Its chunky shapes and softened geometry feel upbeat and non-serious, suggesting friendliness and simple fun rather than precision or formality.
Likely designed to provide an instantly readable, high-impact rounded display voice that feels soft, fun, and approachable. The consistent heavy strokes and inflated curves suggest an intention to mimic a bubbly, cartoon-friendly aesthetic while maintaining straightforward letterforms.
Round letters like O/C/G read as strongly circular, while diagonals and joints (in K, R, and X) remain thick and rounded, reinforcing the soft, inflated look. The uppercase set is especially blocky and stable, while the lowercase introduces a slightly more handwritten bounce without becoming script-like.