Sans Superellipse Tudo 6 is a very bold, very narrow, medium contrast, upright, tall x-height font visually similar to 'ATF Alternate Gothic' by ATF Collection, 'Cyclone' and 'Knockout' by Hoefler & Co., and 'PG Grotesque' by Paulo Goode (names referenced only for comparison).
Keywords: posters, headlines, packaging, logotypes, signage, industrial, gritty, assertive, retro, poster-ready, impact, space-saving, rugged print, headline utility, vintage flavor, compressed, condensed, rounded corners, inked, distressed.
A tightly compressed, heavy sans with tall proportions and rounded-rectangle (superellipse) counters that keep curves squared-off rather than fully circular. Strokes are thick with subtly uneven edges and occasional nicks, creating an inked, worn texture. Terminals are mostly blunt and vertical, with a compact rhythm and narrow internal spaces that stay readable through consistent geometry. Numerals and lowercase follow the same condensed, blocky construction, producing a strong, uniform color in lines of text.
Best suited to short, high-impact text such as posters, headlines, covers, packaging labels, and bold wordmarks where the condensed width helps fit more characters per line. It can work for signage-style applications and graphic branding that benefits from a rugged, printed texture, but is less ideal for long-form reading at small sizes due to its dense weight and tight counters.
The overall tone is bold and utilitarian, with a weathered, stamped feel that suggests urgency and grit. Its condensed strength reads as confident and attention-grabbing, leaning toward vintage signage and rugged editorial display.
The design appears intended to deliver maximum impact in a compact width while preserving a clean, rounded-rect construction. The deliberate roughening of the outlines suggests an aim to evoke printed ephemera or stamped industrial lettering without sacrificing the clarity of a modern condensed sans skeleton.
The distressed edge treatment is present across the set, but not so extreme that letterforms collapse at display sizes; counters remain cleanly shaped and the rounded-rect logic is consistent. Spacing appears tight and the dense texture increases quickly in longer lines, reinforcing its headline-first character.